A Surrealist Approach? Ravel’s exploitation of risk as illustrated by "Gaspard de la nuit" (1908) and "L’Enfant et les sortilèges" (1925). L’exemple de "Gaspard de la nuit" (1908) et de "L’Enfant et les sortilèges" (1925) Henri Gonnard 13-22 PDF (Italiano)
A theatre at risk. The jazz-actor Leo de Berardinis, the king of improvisation Matteo Tamborrino 39-52 PDF (Italiano)
On trial and error. Reflections on risk in the creative process in contemporary dance and circus Andrea Zardi 53-67 PDF (Italiano)
Extreme intelligence, origins and solution of risks in audiovisual fiction Olivier Caïra 85-95 PDF (Italiano)
Carmelo Bene, Leo de Berardinis, Perla Peragallo, Mario Ricci: unpublished dialogues with Edoardo Fadini and Giuseppe Bartolucci around a publishing project that was never realised (1968) Armando Petrini 99-111 PDF (Italiano)
Form and transfiguration in "An ordinary day of the dancer Gregorio Samsa" by Barba, Varley and Gleijeses Leonardo Mancini 131-138 PDF (Italiano)
A note on Gesamtkunstwerk: the genealogy of an aesthetic concept Simona Turturro 149-157 PDF (Italiano)
